Rajni Anand Luthra
Editor,
Indian Link
And just like that, we’ve finished the first quarter of the year. Anyone else feel like we’ve had a year’s worth of experiences in these three months? (No? Ok, just me, then.)
With the autumnal equinox this week, when day and night were perfectly balanced, I found myself taking stock of my own day and night hours.
Reader, it left me shame-faced. Clearly, balance is something nature manages better than I do.
There’s still time to even the books before winter sets in, though. Wish me luck.
Narendra Modi’s proposed third visit could shape the next phase of India-Australia relations.
As the US-Iran war enters its fourth week, an expat’s tale on displacement amid war
Designer Peter King and curator Penny Teale on the landmark exhibition The Offbeat Sari, bringing everything from Sabyasachi to the Gulabi Gang’s drapery into focus.
World-first trial by CSIRO and IISc researchers uses agricultural waste to cut emissions in steelmaking
Team Kommune, Tess Joseph, Atif Ally Dagman and indigenous poets Aleena Saru and Dakota Feirer, who have won the Mary Walker Excellence in Poetry Award at the Adelaide Fringe Festival, for their show 'We Belong'.
Indian Link contributor Virat Nehru, who won Best Review of an International Film at the Auscritic Awards for his review of Homebound.
Indian Link’s Apoorva Tandon, whose portfolio website was recognised as a WD Favourite at the Web Design Awards.
Brimming with both adrenaline and tension, these movies will seize every second of your attention.
Melbourne’s Indian community gears up for a grand Chinmaya Hanuman Festival as the Mission marks 75 years.
Sydney's most iconic art event is back and this year it hits close to home. Indian collective CAMP, alongside South Asian artist Monica Rani Rudhar are among the 83 voices from 37 countries reclaiming untold stories through art. Free and running across five major venues until 14 June 2026, this one is not to be missed.
For more head to our What’s On page.
Our textiles are our art - and our art lives not in museums but in everyday life around us.
